Under the hammer
| schema:name | "Under the hammer" |
| schema:creator | Simpson, James |
| schema:position | "2009" |
| schema:about | beeldende kunst |
| iconoclasme | |
| Purisme | |
| Groot-Brittannië | |
| VS | |
| <nf2dc0ba602ad4de49ab943726b359e6bb1> | |
| <nf2dc0ba602ad4de49ab943726b359e6bb2> | |
| <nf2dc0ba602ad4de49ab943726b359e6bb3> | |
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| <nf2dc0ba602ad4de49ab943726b359e6bb5> | |
| <nf2dc0ba602ad4de49ab943726b359e6bb6> | |
| schema:abstract | "Summary: Iconoclasm is not a barbaric act which takes place somewhere else but is instead a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643, which stands at the core of this book." |
| schema:identifier | <nf2dc0ba602ad4de49ab943726b359e6bb7> |
|
schema:in |
"eng" |
|
schema:is |
Clarendon Lectures in English ; |
|
schema:work |
Under the hammer: iconoclasm in the Anglo-American tradition |
schema:identifier →
<nf2dc0ba602ad4de49ab943726b359e6bb7>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "199268" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb2>
|
schema:alternate |
"Iconoclasm--England--History" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb6>
|
schema:alternate |
"Iconoclasm" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb3>
|
schema:alternate |
"Iconoclasm in art" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb5>
|
schema:alternate |
"Art, English--17th century" |
schema:isPartOf →
Clarendon Lectures in English ;
| schema:name | "Clarendon Lectures in English ;" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb1>
|
schema:alternate |
"Modernism (Aesthetics)" |
schema:about →
<nf2dc0ba602ad4de49ab943726b359e6bb4>
|
schema:alternate |
"Art, English--16th century" |