A laboratory for art
| schema:name | "A laboratory for art" |
| "Harvard's Fogg Museum and the emergence of conservation in America, 1900-1950" | |
| schema:creator | Bewer, Francesca Gabrielle |
| schema:about | Fogg Art Museum |
| restauratie en technisch onderzoek | |
| conserveringsonderzoek | |
| musea (afzonderlijk) | |
| onderzoeksinstellingen (afzonderlijk) | |
| <n1a95e774f6744579b9e17c6e767c9444b1> | |
| <n1a95e774f6744579b9e17c6e767c9444b2> | |
| schema:identifier | <n1a95e774f6744579b9e17c6e767c9444b3> |
|
schema:in |
"eng" |
|
schema:subject |
<n1a95e774f6744579b9e17c6e767c9444b4> |
|
schema:temporal |
"1900-1950" |
|
schema:work |
A laboratory for art: Harvard's Fogg Museum and the emergence of conservation in America, 1900-1950 |
schema:subjectOf →
<n1a95e774f6744579b9e17c6e767c9444b4>
| schema:text | Edward Forbes takes on flaking paint (1899-1910) -- The museum as laboratory (1910s) -- Good chemistry : attracting like minds (1920s) -- A department for conservation and technical research (1930s) -- War as a catalyst for conservation (1940s). |
|
schema:additional |
aat:300195187 |
schema:about →
<n1a95e774f6744579b9e17c6e767c9444b2>
|
schema:alternate |
"Art--Conservation and restoration" |
schema:identifier →
<n1a95e774f6744579b9e17c6e767c9444b3>
|
schema:property |
"NL-AmRIJ" |
| schema:value | "194032" |
schema:about →
<n1a95e774f6744579b9e17c6e767c9444b1>
|
schema:alternate |
"Art restorers--Training of--Massachusetts--Boston" |