Brunelleschi's egg
schema:about →
<n76f044b361194709b58f3f6c2f9af77eb2>
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schema:alternate |
"Feminism and art" |
schema:about →
<n76f044b361194709b58f3f6c2f9af77eb4>
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schema:alternate |
"Renaissance--Italy" |
schema:about →
<n76f044b361194709b58f3f6c2f9af77eb1>
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schema:alternate |
"Nature (Aesthetics)" |
schema:identifier →
<n76f044b361194709b58f3f6c2f9af77eb5>
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schema:property |
"NL-AmRIJ" |
| schema:value | "193609" |
schema:about →
<n76f044b361194709b58f3f6c2f9af77eb3>
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schema:alternate |
"Philosophy of nature--History" |
schema:subjectOf →
<n76f044b361194709b58f3f6c2f9af77eb6>
| schema:text | Introduction -- Great Mother Nature -- The gendering of nature as female : from prehistory through the Middle Ages -- Nature and art in the Quattrocento : from pupil to equal -- Technology and the mastery of physical nature : Brunelleschi and Alberti -- Genesis and the reproduction of life : Masaccio and Michelangelo -- The rebirth of Venus and the feminization of beauty : Botticelli -- A balance of power : pictorial metaphors for nature in transition -- Nature's special child : Leonardo da Vinci -- The goddess in Arcady : Giorgione -- Art and nature in the Cinquecento : from competitor to master -- Love and death in Venice : Titian -- Art against nature : Raphael, the early Mannerists, and late Michelangelo -- Natura bound : the later Tuscan Mannerists -- Epilogue. |
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schema:additional |
aat:300195187 |