Line engravings after the paintings in the gallery of His Majesty the King of the Netherlands: from the early Flemish-, Dutch-, German-, Italian-, Spanish- and French schools
Inverse relations
[ .. ] → cidoc:P140i_was_attributed_by :: rdf:first :: cidoc:P141_assigned → Line engravings after the paintings in the gallery of His Majesty the King of the Netherlands: from the early Flemish-, Dutch-, German-, Italian-, Spanish- and French schools
'Self Portrait' of Rembrandtcidoc:E22_Human-Made_Object
Adoration of the Christ child (left), Lamentation (centre), Christ appearing to his mother (right)cidoc:E22_Human-Made_Object
Adoration of the Kingscidoc:E22_Human-Made_Object
Adoration of the Magicidoc:E22_Human-Made_Object
Alexander the Greatcidoc:E22_Human-Made_Object
Allegory of True Lovecidoc:E22_Human-Made_Object
Annunciationcidoc:E22_Human-Made_Object
Baptism of Christcidoc:E22_Human-Made_Object
Birth of John the Baptistcidoc:E22_Human-Made_Object
Carrying of the Crosscidoc:E22_Human-Made_Object
Christ and the centurioncidoc:E22_Human-Made_Object
Christ as the Salvator Mundicidoc:E22_Human-Made_Object
Christ Carrying the Crosscidoc:E22_Human-Made_Object
Christ's charge to Petercidoc:E22_Human-Made_Object
Conversion of Saint Hubertcidoc:E22_Human-Made_Object
Council of Trentcidoc:E22_Human-Made_Object
Crucifixon with Margaretha of Austria as Caritas and Isabella of Austria as Justitiacidoc:E22_Human-Made_Object
Death of Job's childrencidoc:E22_Human-Made_Object
Don Gabriel de la Cueva, duke of Albuquerquecidoc:E22_Human-Made_Object
Double portrait of an unknown man and a woman on horseback, with a servant in a landscapecidoc:E22_Human-Made_Object
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