https://id.rijksmuseum.nl/30137028
additional type: Special collections
  name: Speciale collecties @nl
  type: DefinedTerm
example of work: https://id.rijksmuseum.nl/30037028
material extent: [6], 33, 27 [i.e. 26], [4] bl., LXI [i.e. LIX], [25] bl. pl.
name: Divina proportione: opera a tutti glingegni perspicaci e curiosi necessaria oue ciascun studioso di philosophia : prospectiua pictura sculptura : architectura: musica: e altre mathematice suauissima: sottile: e admirabile doctrina consequira: e delectarassi: co[n] varie questione de secretissima scientia
publication: PublicationEvent
  location: [Venetiis]
publication: PublicationEvent
  published by: A. Paganius Paganinus caracteribus elegantissismis
publication: [Venetiis]: A. Paganius Paganinus caracteribus elegantissismis; [1509]
size: 28 cm.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300435416
  text: Auteur Luca Pacioli vermeldt in de opdracht Leonardo da Vinci als tekenaar van de 59 bl. pl.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300435416
  text: First and only edition of one of the richest sources for studying the interplay of mathematics, art and architectural theory and typography during the high renaissance by the mathematician Luca Pacioli, with illustrations designed by Leonardo da Vinci. The author sets forth a way of describing the visible world in terms of its common geometrical elements, what he calls the "divine proportion". Based on the writings of Plato, Euclid, and Vitruvius, and arguing his thesis by means of exegesis and the generous use of evocative illustration, Pacioli claims that this proportional element is shared by a variety of solid bodies, from human anatomy to architectural forms and even to the composition of the letter forms in Roman alphabet. The works treats stereometry and related subjects and includes 61 remarkable illustrations by Leonardo da Vinci, which form the earliest work from the artist's hand to appear in print. Pacioli formed a close relationship with Leonardo da Vinci when both were at the court of Lodovico il Moro in Milan. Pacioli's treatises and Leonardo's notebooks testify to their association. Pacioli knew Leonardo's work during this period in great detail, and he acknowledges that Leonardo was responsible for the design of stereometric bodies appended to the Divina proportione.
subject of: Statement
  additional type: physical
  text: ill.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300435416
  text: Titel aan de recto-zijde van het titelblad ontbreekt, druk op de verso-zijde aanwezig
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300435416
  text: Sander II: 5365/6
work example: https://id.rijksmuseum.nl/30237905
type: CreativeWork
type: ProductModel