@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/301192967> a ns1:CreativeWork,
        ns1:ProductModel ;
    ns1:additionalType [ a ns1:DefinedTerm ;
            ns1:name "Special collections"@en,
                "Speciale collecties"@nl ;
            ns1:sameAs <http://vocab.getty.edu/aat/300311990> ] ;
    ns1:exampleOfWork <https://id.rijksmuseum.nl/300192967> ;
    ns1:materialExtent "21 p." ;
    ns1:name "London" ;
    ns1:publication [ a ns1:PublicationEvent ;
            ns1:name "New York: Brentano's; [1909]" ],
        [ a ns1:PublicationEvent ;
            ns1:name "New York: Brentano's; [1909]" ],
        [ a ns1:PublicationEvent ;
            ns1:name "London: Duckworth & co" ],
        [ a ns1:PublicationEvent ;
            ns1:publishedBy [ ns1:name "Brentano's",
                        "Duckworth & co" ] ],
        [ a ns1:PublicationEvent ;
            ns1:location [ a ns1:Place ;
                    ns1:name "London",
                        "New York" ] ],
        [ a ns1:PublicationEvent ;
            ns1:name "London: Duckworth & co" ] ;
    ns1:sameAs <http://www.worldcat.org/oclc/739055157> ;
    ns1:size "42 cm." ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300435416> ;
            ns1:text "Much has been written about Coburn’s books of photogravures. Imagining Paradise gives a better commentary than most: “From 1906 to 1909 Coburn learned photogravure two nights a week at Bolt Court Technical School. He etched and electroplated the printing plates, ground the inks, and pulled exploratory proofs on various grades of paper before handing them over to a printer. On May 21, 1909 he moved to “Thameside,” a four story house close to Hammersmith Bridge, and installed two copperplate photogravure presses. From June he employed an experienced printer who made between 200 and 250 gravures a day, and from August a boy to assemble the pages. London was published on October 14, 1909, after four months’ work. Each 8 ½ x 6 ½ inch gravure, printed in a variety of muted inks to suit the subject matter, was produced with an etched tone border to give the appearance of a separate mount, then mounted on 16x12 inch light brown paper pages. Coburn chose the page and end papers, the design, the typeface, and produced image-only maquettes for this and all his books. London initially sold for 25s./ $6.90 as opposed to 15 guineas and upward for one of Coburn’s gum platinum prints. The Manchester Guardian gave London the accolade of being “the first attempt to publish a book of photos on their own merit as works of art.” - I.P., pp. 224-5 with six illus. The Photobook, I., p. 74. 101 Books, pp. 38-39. (Charles Wood, cat. 164)" ],
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            ns1:additionalType <http://id.loc.gov/vocabulary/mnotetype/physical> ;
            ns1:text "20 mounted pl." ] ;
    ns1:url <https://library.rijksmuseum.nl/cgi-bin/koha/opac-detail.pl?biblionumber=192967> ;
    ns1:workExample <https://id.rijksmuseum.nl/302195260> .