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    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Human body (Philosophy)" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Illumination of books and manuscripts--Themes, motives" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Books of hours--Themes, motives" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Books of hours--Themes, motives" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art and society" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Aesthetics--Physiological aspects" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Human body (Philosophy)" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Aesthetics--Physiological aspects" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Illumination of books and manuscripts--Themes, motives" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art and society" ],
        <https://id.rijksmuseum.nl/320128523>,
        <https://id.rijksmuseum.nl/320128606>,
        <https://id.rijksmuseum.nl/320130304> ;
    ns1:abstract "\"This book explores our corporeal connections to the past by considering what three theoretical approaches-somaesthetics, posthumanism, and the uncanny-may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours-evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, imaginative pages not only enables a window into relationships among bodies, images, and things in the past, but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body\"-- Provided by publisher."@en ;
    ns1:author <https://id.rijksmuseum.nl/31069224> ;
    ns1:creator <https://id.rijksmuseum.nl/31069224> ;
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            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "333258" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "The book of hours and the body" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "The Book of Hours and the Body: Introduction -- Somaesthetics: The Book of Hours as Elite Self-Fashioning -- Posthumanism: Technologizing the Book of Hours -- The Uncanny: Immaterial Matters in Books of Hours." ] ;
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