Material contradictions in Mao's China
type: CreativeWork
about: https://id.rijksmuseum.nl/320127699
about: https://id.rijksmuseum.nl/320127741
about: https://id.rijksmuseum.nl/320130256
about: https://id.rijksmuseum.nl/330134301
about: DefinedTerm
  alternate name: Material culture
about: DefinedTerm
  alternate name: Communism and culture
about: DefinedTerm
  alternate name: Consumption (Economics)
about: DefinedTerm
  alternate name: Material culture--China
about: DefinedTerm
  alternate name: China--Civilization--1949-1976
about: DefinedTerm
  alternate name: Civilization
about: DefinedTerm
  alternate name: Communism and culture--China
about: DefinedTerm
  alternate name: Consumption (Economics)--China
abstract: "The world is well aware of the dramatic rise of markets and consumerism in China's post-Mao era of political and economic reform. By contrast, the Mao period (1949-1976)-rightly framed as a time of scarcity-initially appears to have had little material culture to speak of. But availability of fewer commodities does not mean a lack of material culture. A wide range of materials, objects, and practices comprised the fabric of everyday life in Maoist China, as industries were invented and reinvented at the level of material and products, from bamboo to bricks, and from pickles to wristwatches. People attributed great meaning to material and objects often precisely because they were rare and difficult to obtain. This first volume devoted to material culture of the period explores the paradox of consumption under Chinese Communist Party rule and illustrates how central materiality was to individual and collective desire, social and economic construction of the country, and projections of an imminent socialist utopia in reach of every man and woman, if only they worked hard enough. Chapters focus on materials, how things were produced, how they circulated, and how they were used. Together, they suggest that new understandings of material culture helped to shape the socialist subject, while also calling into question our standard definitions of what Maoist socialism was and how it was experienced"-- Provided by publisher.
editor: https://id.rijksmuseum.nl/310223853
editor: https://id.rijksmuseum.nl/310223854
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Introduction: Making Revolution Material / Jennifer Altehenger and Denise Y. Ho -- Bamboo Objects and Socialist Construction/ Jennifer Altehenger -- The Brick / Cole Roskam -- Design and Handicraft / Christine I. Ho -- Dance Props and the Rural Imaginary / Emily Wilcox -- Mobile Projectionists and the Things They Carried / Jie Li -- Outside Objects and Material Propaganda / Denise Y. Ho -- The Problematics of Plenty / Laurence Coderre -- Food Provision in 1950s Beijing / Madeleine Yue Dong -- One Country, Two Material Cultures / Jacob Eyferth -- The Makings of China's Cold War Motor City / Covell F. Meyskens -- Afterword: Material Culture and the Socialist Uncanny in Mao's China / Jonathan Bach
temporal coverage: 1949-1976
work example: https://id.rijksmuseum.nl/301330343

PropertyValue
property ID: NL-AmRIJ
value: 330343