Great waves & mountains
type: CreativeWork
about: DefinedTerm
  alternate name: ART / Asian / Japanese
about: DefinedTerm
  alternate name: Art, Japanese--Meiji period, 1868-1912--Collectors and collecting
about: DefinedTerm
  alternate name: Art, Japanese--Collectors and collecting
about: DefinedTerm
  alternate name: Art, Japanese--Collectors and collecting
about: DefinedTerm
  alternate name: ART / History / Contemporary (1945-)
about: DefinedTerm
  alternate name: Japonism--Collectors and collecting
about: https://id.rijksmuseum.nl/320126537
about: https://id.rijksmuseum.nl/320126567
about: https://id.rijksmuseum.nl/320126573
about: https://id.rijksmuseum.nl/320127667
about: https://id.rijksmuseum.nl/320127677
about: https://id.rijksmuseum.nl/320127678
about: https://id.rijksmuseum.nl/320130290
about: https://id.rijksmuseum.nl/320131999
about: https://id.rijksmuseum.nl/320132397
about: https://id.rijksmuseum.nl/330135288
about: https://id.rijksmuseum.nl/330136256
abstract: "This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868. With wide-ranging essays that fill in gaps in the scholarly investigation of the subject, art historians discuss the historical development of the Japanese aesthetic and examine questions of connoisseurship, authenticity, and controversial collectors and their current-day reception. The volume also features case studies on the formation of Japanese art collections in North America, exploring the diverse array of factors that contributed to their quality, contents, and the role that these collections play for their respective communities. Contributors delve into university and museum archives and interview art dealers, collectors, and artists to better understand their own collections. They present original research on cross-pollination and dialogue between artists from Japan and the United States, the development and growth of museums, and the personal histories of the people who shaped art collections. Together, these essays illustrate the shifting priorities in the collection of Japanese art across 150 years."-- Provided by publisher.
editor: https://id.rijksmuseum.nl/310223573
editor: https://id.rijksmuseum.nl/310223574
language: eng
name: Great waves and mountains: perspectives and discoveries in collecting the arts of Japan
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Introduction / Natsu Oyobe and Allysa B. Peyton -- Kwan ko dzu setsu: A Textbook of Japanese Ceramics for Foreign Collectors / Princess Akiko of Mikasa -- Collecting Art and Culture: The Case of Edward Sylvester Morse / Midori Oka -- Fluctuating Authenticity: The Journey of a Ninsei Tea Bowl at the Royal Ontario Museum / Akiko Takesue -- A Century of Collecting for Artists and Designers at the RISD Museum / Wai Yee Chiong -- Prints for Portland: The Mary Andrews Ladd Collection / Jeannie Kenmotsu -- Avery Brundage and the Formation of the Asian Art Museum's Japanese Collection / Robert Mintz -- The Japanese Art Collection of the Cleveland Museum of Art, 1915 to 1951 / Sinéad Vilbar -- Japanese Unglazed Ware at the University of Michigan Museum of Art: Exchange between Japanese and American Ceramic Artists, 1950s-1960s / Natsu Oyobe -- A Brush with Beauty: Japanese Paintings in the Indianapolis Museum of Art / John Tadao Teramoto -- Making Visible Again: Postwar Japanese Art at the Dallas Museum of Art / Vivian Li.
subject of: Statement
  additional type: lang
  text: In English.
temporal coverage: 1800-1999
work example: https://id.rijksmuseum.nl/301329559

PropertyValue
property ID: NL-AmRIJ
value: 329559