Temptation transformed
about: https://id.rijksmuseum.nl/320126658
about: https://id.rijksmuseum.nl/320126809
about: https://id.rijksmuseum.nl/320127242
about: https://id.rijksmuseum.nl/320127610
about: https://id.rijksmuseum.nl/320127612
about: https://id.rijksmuseum.nl/320131063
about: https://id.rijksmuseum.nl/320132680
about: https://id.rijksmuseum.nl/320132872
about: https://id.rijksmuseum.nl/320133445
about: DefinedTerm
  alternate name: Apples--Religious aspects
about: DefinedTerm
  alternate name: Éden
about: DefinedTerm
  alternate name: Temptation in art
about: DefinedTerm
  alternate name: Apples in art
about: DefinedTerm
  alternate name: Tentation dans la Bible
about: DefinedTerm
  alternate name: Eden
about: DefinedTerm
  alternate name: Temptation in the Bible
about: DefinedTerm
  alternate name: Tentation dans l'art
abstract: "Adam, Eve, the Serpent, the Garden of Eden...and the apple. That fruit is one of the most potent symbols in all of human history. It is so closely tied to temptation, knowledge, the Fall of Man, and sin that it needs no explanation when deployed in everything from art to advertising to movies. It's no secret that the fruit in the Book of Genesis is never actually identified as an apple. So how did we get to this common association? The standard story, repeated since at least the seventeenth century, is that it is due to a Latin pun. But what if that story is wrong? In Temptation Transformed, scholar of religion Azzan Yadin-Israel offers a different story. He examines how the Fall of Man was represented in art form early Christianity through the Renaissance, revealing that the iconography of the apple emerged in twelfth-century France. From there it spread to England, Germany, and the Low Countries, while remaining only a marginal presence in Italy and Spain for centuries. Armed with the when and where, Yadin-Israel then explains why the apple tradition arose and circulated as it did. Surprisingly, the answer is found in the evolution of Europe's vernaculars. Three centuries is a long time to labor under a misconception, especially one that involves the most prominent biblical symbol other than the cross. Through an interdisciplinary engagement of scholastic commentary, Christian iconography, and Fall of Man narratives, Temptation Transformed offers a long-overdue corrective."-- Provided by publisher.
abstract: "How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall of Man? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once commonly depicted as a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though theologians are often blamed for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that subtle changes in these languages altered popular understandings of the Fall until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon."-- On front flap of dust jacket.
author: https://id.rijksmuseum.nl/310219542
creator: https://id.rijksmuseum.nl/310219542
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Introduction: The curious case of the apple -- The missing apple -- A bad Latin apple -- The iconographic apple -- The vernacular apple -- Conclusion: A scholarly reflection.
subject of: Statement
  additional type: lang
  text: In English.
work example: https://id.rijksmuseum.nl/301325244
type: CreativeWork

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property ID: NL-AmRIJ
value: 325244