Riemenschneider in situ
type: CreativeWork
about: DefinedTerm
  alternate name: Sculpture, German
about: DefinedTerm
  alternate name: Wood sculpture, Medieval
about: DefinedTerm
  alternate name: Germany--Franconia
about: DefinedTerm
  alternate name: Wood sculpture, Medieval--Germany--Franconia--Congresses
about: DefinedTerm
  alternate name: Wood sculpture, Renaissance--Germany--Franconia--Congresses
about: DefinedTerm
  alternate name: Wood sculpture, German--Germany--Franconia--16th century--Congresses
about: DefinedTerm
  alternate name: Sculpture, German--Germany--Franconia--16th century--Congresses
about: DefinedTerm
  alternate name: Wood sculpture, German
about: DefinedTerm
  alternate name: Sculpture, German--Germany--Franconia--15th century--Congresses
about: DefinedTerm
  alternate name: Wood sculpture, Renaissance
about: DefinedTerm
  alternate name: Wood sculpture, German--Germany--Franconia--15th century--Congresses
about: https://id.rijksmuseum.nl/31095836
about: https://id.rijksmuseum.nl/320127726
about: https://id.rijksmuseum.nl/320129093
about: https://id.rijksmuseum.nl/330172077
abstract: "Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor's programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors--conservators, museum professionals, and art historians--provide an essential and overdue study of Riemenschneider's best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history"--Provided by publisher
contributor: https://id.rijksmuseum.nl/310210960
contributor: https://id.rijksmuseum.nl/310216788
contributor: https://id.rijksmuseum.nl/31095836
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Hartmut Krohm, 1940-2018 / by Karin and Eike Oellermann -- Preface : Seeing and exhibiting Riemenschneider / by Julien Chapuis -- Introduction / by Katherine M. Boivin and Gregory C. Bryda -- pt. 1. Place and placement. -- The historiography of place in early Riemenschneider scholarship / by Jeffrey Chipps Smith -- The topography of a style / by Katherine M. Boivin -- The Marian retable by Tilman Riemenschneider in the Church of Our Lord in Creglingen : results of a technical investigation / by Volker Schaible -- Riemenschneider's altarpieces from the perspective of a museum collection / by Matthias Weniger -- pt. 2. Dynamic environments. -- Space, light, and liturgical plays as a source of inspiration for Riemenschneider's altarpieces / by Johannes Tripps -- Placement and replacements : Tilman Riemenschneider's Holy Blood altarpiece in Rothenburg ob der Tauber and its function in liturgical context / by Thierry Greub -- Immanence and intercession : rooted sanctity and the Creglingen Marienaltar / by Mitchell B. Merback -- The Creglingen altarpiece and its multimedia environment : metamorphoses of a furnishing ensemble in sacred space ca. 1460-1510 / by Tum Juckes -- pt. 3. Surface and composition. -- Folding textures and rhetoric : observations on the manipulation of light as an artistic factor in the work of Riemenschneider and his contemporaries / by Hartmut Krohm -- Seeing Stoss in Riemenschneider's Resurrection / by Ruth Ezra -- Riemenschneider uncolored / by Georg Habenicht -- Riemenschneider's Assumption altarpiece in the Church of Our Lord, Creglingen : a review of its restoration history and the application of a new examination method / by Michele Marincola and Anna Serotta -- Compilatio at the portal : the Last Judgment of Bern Minster / Assaf Pinkus -- Afterword : Riemenschneider's Holy Blood Altarpiece in its present ecclesiastical and touristic contexts in the Church of St. James in Rothenburg ob der Tauber / by Oliver Gussmann.
temporal coverage: 1400-1599
work example: https://id.rijksmuseum.nl/301321780

PropertyValue
property ID: NL-AmRIJ
value: 321780