Art and politics of the Second Empire
about: https://id.rijksmuseum.nl/310151882
about: https://id.rijksmuseum.nl/320126565
about: https://id.rijksmuseum.nl/320128088
about: https://id.rijksmuseum.nl/320131255
about: https://id.rijksmuseum.nl/320133239
about: https://id.rijksmuseum.nl/330134746
about: DefinedTerm
  alternate name: Art--France--Expositions--Histoire--19e siècle
about: DefinedTerm
  alternate name: Art--Political aspects
about: DefinedTerm
  alternate name: Art--Aspect politique--France
about: DefinedTerm
  alternate name: Art, French--19th century
about: DefinedTerm
  alternate name: Art--France--19e siècle
about: DefinedTerm
  alternate name: Eclecticism in art--France
about: DefinedTerm
  alternate name: Art patronage
about: DefinedTerm
  alternate name: Art--France--Expositions--19e siècle--Histoire
about: DefinedTerm
  alternate name: Art--France--19th century
about: DefinedTerm
  alternate name: Éclectisme dans l'art--France
about: DefinedTerm
  alternate name: Art--France--Exhibitions--History--19th century
about: DefinedTerm
  alternate name: Art français--19e siècle
about: DefinedTerm
  alternate name: Art--Political aspects--France
abstract: "In this book, Patricia Mainardi presents a new analysis of the major shift in nineteenth-century art from large public to small private works by examining the political and institutional factors taht were in effect. Mainardi brings to life the complex institutional world of official art in the mid-to late-nineteenth century, presenting the relevant individual personalities, group interests, conflicts, and shifts in policy with clarity and detail."--Jacket.
creator: https://id.rijksmuseum.nl/31072510
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Part I: The Origins of Universal Expositions in France -- 1. Traditional Rivalries -- 2. Building the Temple of Industry -- 3. The Crystal Palace, 1851.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Part II: The Universal Exposition of 1855: The Apotheosis of Eclecticism -- 4. Second Empire Art Policy: The 1850's -- 5. Advance Planning: Getting the Show Underway -- 6. Four Heores and a Self-Made Man -- 7. Choosing the Arms of France: The Jury -- 8. Critical Theories: The Apotheosis of Eclecticism in Practice -- 9. Looking at French Art: Eclecticism in Practice -- 10. Looking at Foreign Art: Reflections in a French Mirror -- 11. Crowning the Victors -- 12. The End of an Era.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Part III: The Universal Exposition of 1867: The Death of History Painting in France -- 13. Second Empire Art Policy: The 1860s -- 14. Industry's Revenge -- 15. Artist Malcontents -- 16. The Death of Ingres -- 17. The Death of History Painting -- 18. Landscape: The Path Not Taken -- 19. The Triumph of the Genre -- 20. The End.
temporal coverage: 1855
temporal coverage: 1867
work example: https://id.rijksmuseum.nl/301319231
type: CreativeWork

PropertyValue
property ID: NL-AmRIJ
value: 319231