PropertyValue
property ID: NL-AmRIJ
value: 319117

Portable panel paintings at the Angevin Court of Naples
about: https://id.rijksmuseum.nl/310205023
about: https://id.rijksmuseum.nl/320126584
about: https://id.rijksmuseum.nl/320130378
about: https://id.rijksmuseum.nl/320131046
about: https://id.rijksmuseum.nl/320133066
about: https://id.rijksmuseum.nl/330136144
about: DefinedTerm
  alternate name: Panel painting
about: DefinedTerm
  alternate name: Art, Medieval
abstract: "Sarah K. Kozlowski's new study of panel painting in fourteenth-century Naples explores the materialities and mobilities of the medium at and beyond the Angevin court, and reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world. This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on the move through the fourteenth-century world. It asks how panel paintings participated in and thematized patterns of circulation and exchange; how they extended the artistic and political geography of the court far beyond Naples itself; how their materialities intersected with other mediums from woven silk to precious metalwork to stone; and how painters' formal and technical experimentation combined with painted panels' real and imagined itineraries to create meaning. The volume traces a series of painted panels through networks of patronage, production, gift giving, transport, and replication. It locates the making, movement, and meaning of these works in the overlapping contexts of Angevin dynastic and territorial ambitions, including the family's stakes in the Holy Land; patterns of collecting and adapting authoritative icons; practices of royal female patronage; and painters' engagement with the limits of the medium of panel painting itself. Each chapter weaves together sustained analysis of paintings' pictorial and material structures, close reading of primary sources, and questions of art's materialities and mobilities. Moving between single objects and larger patterns, between the local and the global, this study presents new research on individual works even as it reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world."--
creator: https://id.rijksmuseum.nl/310214516
language: eng
is part of: Trecento Forum ;
position: 4
work example: https://id.rijksmuseum.nl/301319117
type: CreativeWork