@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/300317786> a ns1:CreativeWork ;
    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Fonds d'archives--New York (État)--Rochester" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Archival resources--New York (State)--Rochester" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Photographie--Fonds d'archives--France" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Archival resources" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Photography--Archival resources" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Photography--France--Archival resources" ],
        <https://id.rijksmuseum.nl/31025021>,
        <https://id.rijksmuseum.nl/320126550>,
        <https://id.rijksmuseum.nl/320126848>,
        <https://id.rijksmuseum.nl/320127679>,
        <https://id.rijksmuseum.nl/320128375>,
        <https://id.rijksmuseum.nl/330134746>,
        <https://id.rijksmuseum.nl/330136795> ;
    ns1:abstract "\"In the early 20th century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a vast collection that traced photography's prehistory, invention, and subsequent development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to the establishment of the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth-Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource\"--"@en ;
    ns1:contributor [ a ns1:Person ;
            ns1:alternateName "Challine, Éléonore" ],
        <https://id.rijksmuseum.nl/310165457>,
        <https://id.rijksmuseum.nl/310214079>,
        <https://id.rijksmuseum.nl/3104240>,
        <https://id.rijksmuseum.nl/31047276>,
        <https://id.rijksmuseum.nl/31078693>,
        <https://id.rijksmuseum.nl/31141092> ;
    ns1:creator [ a ns1:Organization ;
            ns1:alternateName "George Eastman Museum" ] ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "317786" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "The Cromer collection of nineteenth-century French photography" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "A Story of Labels : Gabriel Cromer, the Photographer, the Collection, and the Museum / Éléonore Challine -- A Fraternity of Rivals : The Circle of Collectors around Gabriel Cromer / Anne de Mondenard -- From Paris to Rochester : Eastman Kodak's 1939 Purchase of the Gabriel Cromer Collection / Heather A. Shannon -- A New History of Photography : Beaumont Newhall and the Gabriel Cromer Collection / Ellen Handy -- A Belated Acquisition : The Gabriel Cromer Collection at the Bibliothèque nationale / Sylvie Aubenas -- Making Photography's History in Interwar Paris : Gabriel Cromer and Walter Benjamin / Jacob W. Lewis." ] ;
    ns1:workExample <https://id.rijksmuseum.nl/301317786> .