Art museums--Acquisitions--Germany--History--20th century--Exhibitions
Hertz so good : the gallerist and the artist / Manuela Husemann -- Beyond Picasso : the Bremen art dealer Michael Hertz and his commitment to German-speaking artists from Ernst Wilhelm Nay to Bernhard Heisig / Kai Hohenfeld -- Memoirs of an art dealer, 1931-1981 : Pablo Picasso / Michael Hertz -- "The classic country of graphic art lovers" : Picasso acquisitions in German museums in the 1950s and 1960s / Manuela Husemann and Barbara Nierhoff-Wielk -- The acquisitions of works by Pablo Picasso at German museums between 1950 and 1969 -- "They all remain somehow committed to his creative power" : Picasso at the Department of Prints and Drawings at the Kunsthalle Bremen / Barbara Nierhoff-Wielk -- The Picasso collection of the Kunsthalle Bremen / edited by Anne Buschhoff, Manuela Husemann and Barbara Nierhoff-Wielk.
Without a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso's case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was his commitment in the post-war period that resulted not only in the museumization of the artist after the Second World War, but that also greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist's prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and book illustrations. Picasso's oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer's strong commitment.
Prints--Germany--Marketing--History--20th century--Exhibitions