"In Black and Blur--the first volume in his sublime and compelling trilogy consent not to be a single being--Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and Jose Esteban Munoz and musicians and artists including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing." -- Publisher's description.
Not in between -- Interpolation and interpellation -- Magic of objects -- Sonata quasi una fantasia -- Taste dissonance flavor escape (Preface to a Solo by Miles Davis)-- The new international of rhythmic feel/ings -- The phonographic mise-en scène -- Liner notes for lick piece -- Rough Americana -- Nothing, everything -- Nowhere, everywhere -- Nobody, everybody -- Remind -- Amuse-bouche -- Collective head -- Cornered, taken, made to leave -- Enjoy all monsters -- Some extrasubtitles for wildness -- To feel, to feel more, to feel more than -- Irruptions and Incoherences for Jimmie Durham -- Black and blue on white. In and And in space -- Blue vespers -- The blur and breathe books -- Entanglement and virtuosity -- Bobby Lee's hands.