Though many early modern women spent much of their lives in a state of pregnancy, their pregnancies are seldom made apparent in surviving portraits. Comprising material from the fifteenth century to the present day, Portraying Pregnancy considers the different ways in which a sitter's pregnancy was, or was not, visibly represented to the viewer. Over a span of more than five hundred years, art historian Karen Hearn looks at representations of pregnancy through the ages and interrogates how the social mores and preoccupations of different periods affected the ways in which pregnant women were visually depicted. Exploring different religious, cultural, and historical settings, Hearn reveals how portrayals of pregnancy have changed over time and across contexts. Some portraits reinforce an "ideal" female role while others celebrate fertility or assert shock value. Eighty color images accompany Hearn's extensive and illuminating history, including painted portraits, drawings, miniatures, prints, photographs, sculpture, textiles, and objects.
Christian context -- Hans Holbein II's drawing of Cecily Heron -- Royal pregnancies -- Elizabethan portraits and their context -- Anne of Denmark -- Anthony van Dyck's English portraits -- Lady Anne Clifford -- The restoration of the Stuarts -- Eighteenth-century Britain -- Eighteenth-century elite portraiture -- Caricatures and satires -- Obstetric knowledge -- Eighteenth-century performers -- Eighteenth-century funerary monuments -- Princess Charlotte -- The Arnolfini portrait is acquired by the National Gallery -- Male artists painting their wives and partners -- Concealing the appearance of pregnancy -- Young, pregnant and Black -- Demi Moore and Vanity Fair 1991 -- Women doing it for themselves -- Alison Lapper on the Fourth Plinth -- Now.