Deaccessioning and its discontents
type: CreativeWork
about: DefinedTerm
  alternate name: Art museums--Deaccessioning
about: https://id.rijksmuseum.nl/320126573
about: https://id.rijksmuseum.nl/320130545
about: https://id.rijksmuseum.nl/320197476
about: https://id.rijksmuseum.nl/330134642
about: https://id.rijksmuseum.nl/330137783
abstract: Museums often stir controversy when they deaccession works -formally remove objects from permanent collections- with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of "deaccession denial" -the assumption that deaccession is always wrong- and "deaccession apology"-when museums attempt to justify deaccession by finding some fault in the object- as symptoms of the same misunderstanding of the role of deaccessions to proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution -when masterworks were used as barter to pay the king's unpaid bills- as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 "Hoving affair," when the Metropolitan Museum of Art sold a number of works to pay for a Velazquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
author: https://id.rijksmuseum.nl/310197475
creator: https://id.rijksmuseum.nl/310197475
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Part 1: The British experiment -- In the beginning -- Approaching the twentieth century -- Part 2: the American experiment -- A surfeit of surplus art: the early American experience -- The Leutze affair: America's first deaccession controversy -- The evolution of donor intent: the Wilstach Collection and the origins of the Philadelphia Museum of Art -- Origination of the word: Kashmir and the Hoving affair at the Metropolitan Museum of Art -- Deaccession denial: the chorus of moral umbrage -- Anatomy of a deaccession: the Thomas Jefferson Bryan Collection and the New-York Historical Society.
temporal coverage: 1622-2014
work example: https://id.rijksmuseum.nl/301289175

PropertyValue
property ID: NL-AmRIJ
value: 289175