The devout hand
type: CreativeWork
about: https://id.rijksmuseum.nl/310105948
about: https://id.rijksmuseum.nl/31036848
about: https://id.rijksmuseum.nl/320126584
about: https://id.rijksmuseum.nl/320127748
about: https://id.rijksmuseum.nl/320129832
about: https://id.rijksmuseum.nl/330133988
about: DefinedTerm
  alternate name: Women artists--History--17th century--Italy--Bologna
about: DefinedTerm
  alternate name: Women artists--Intellectual life--16th century--Italy--Bologna
about: DefinedTerm
  alternate name: Art, Italian--17th century--Italy--Bologna
about: DefinedTerm
  alternate name: Art, Italian--16th century--Italy--Bologna
about: DefinedTerm
  alternate name: Women artists--Intellectual life--17th century--Italy--Bologna
about: DefinedTerm
  alternate name: Women artists--History--16th century--Italy--Bologna
abstract: "After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded twenty-three women artists working in the city, although many of these, until recently, were lost and ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna's unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552-1614), whose career emerged during the aftermath of the Counter-Reformation, to her brilliant successor, Elisabetta Sirani (1638-1665), who organized the first school for women artists. Patricia Rocco further sheds light on Sirani's students and colleagues, including the little-known engraver Veronica Fontana and the innovative but understudied etcher Giuseppe Maria Mitelli. Combining analysis of iconography, patronage, gender, and reception studies, Rocco integrates painting, popular prints, book illustration, and embroidery to open a wider lens onto the relationship between women, virtue, and the visual arts during a period of religious crisis. A reminder of the lasting power of images, The Devout Hand highlights women's active role in sixteenth- and seventeenth-century Christian reform and artistic production."--
author: https://id.rijksmuseum.nl/310195500
creator: https://id.rijksmuseum.nl/310195500
language: eng
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: Introduction -- Bologna as exemplary Counter-Reformation city: an intellectual history of the city and its scholars -- Tridentine visual reform in Paleotti's Discorso: the modes of the Artefice Cristiano in theory and practice -- Stitching for virtue: women's work in embroidery for the Conservatori of Bologna -- Felsina Pittrice: Elisabetta Sirani, her students and circle, and the Maniera Devota -- Veronica Fontana and Giuseppe Maria Mitelli: prints, piety, and science in the work of Sirani's students and colleagues -- conclusion.
work example: https://id.rijksmuseum.nl/301284565

PropertyValue
property ID: NL-AmRIJ
value: 284565