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    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Collectors and collecting--England--History--19th century" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Portrait prints--Private collections--England" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Collectors and collecting--England--History--18th century" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Prints--Private collections--England" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Illustrated books--Extra-illustrated" ],
        <https://id.rijksmuseum.nl/320126543>,
        <https://id.rijksmuseum.nl/320127339>,
        <https://id.rijksmuseum.nl/320131302>,
        <https://id.rijksmuseum.nl/320131362>,
        <https://id.rijksmuseum.nl/330134917> ;
    ns1:creator <https://id.rijksmuseum.nl/31088854> ;
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            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "280449" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "Facing the text" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "Introduction : a long history of extra-illustration -- Part I. Getting your heads in order : engraved portrait collecting and the origins of extra-illustration. \"Of collectors of English portrait prints\" -- Genteel authorship, the community of the antiquarian text, and the invention of extra-illustration -- Portraiture, order, and meaning -- John, Lord Mountstuart and the ends of the Bull Granger -- Part II. From domestic retirement to a commercial marketplace : amateurs, antiquaries, and entrepreneurs. \"Retirement, rural quiet, friendship, books\" : amateurism and its trophies -- Charting the craze : Anthony Morris Storer and Richard Bull -- The Strawberry Hill Press and the rituals of bibliographic exchange -- Antiquarian topography or armchair tourism : Thomas Pennant's \"Labors\" -- Popularizing Pennant's London : how the art world sold extra-illustration -- Part III. The Sutherland Clarendon : gender, the print market, and national heritage. \"Buried beneath its own grandeur\" : understanding the Sutherland Clarendon -- The cut and thrust of the print market in the early nineteenth century -- Women, widowhood, and collecting : Charlotte Sutherland's inheritance -- Monumentalizing the Sutherland Clarendon : between rhetoric and content, 1820-1839 -- The female connoisseur and the private catalogue -- A \"national work\" completed : the Sutherland Clarendon and cultural heritage -- Epilogue : rethinking the past, securing the future." ] ;
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