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    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Drawing--Technique--Congresses" ],
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            ns1:alternateName "Line (Art)--Congresses" ],
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            ns1:alternateName "Painting--Technique--Congresses" ],
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            ns1:alternateName "Brushwork--Congresses" ],
        <https://id.rijksmuseum.nl/320126584>,
        <https://id.rijksmuseum.nl/320127726>,
        <https://id.rijksmuseum.nl/320131862>,
        <https://id.rijksmuseum.nl/320132461> ;
    ns1:contributor <https://id.rijksmuseum.nl/31082513> ;
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            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "270545" ] ;
    ns1:inLanguage "eng" ;
    ns1:isPartOf [ a ns1:CreativeWorkSeries ;
            ns1:name "Kyoto studies in art history ;" ] ;
    ns1:name "Appreciating the traces of an artist's hand" ;
    ns1:position "volume 2" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "Preface -- Albrecht Dürer's The desperate man: fleeting images and the creating hand / Kayo Hirakawa -- Rubens and the history of the oil sketch / Toshiharu Nakamura -- The hands of Rubens: on copies and their reception / Nils Büttner -- Connection between rough brushstrokes and vulgar subjects in seventeenth-century Netherlandish paintings / Michiko Fukaya -- Rembrandt in Kassel: the relativity of eighteenth-century connoisseurship / Gregor J.M. Weber -- Genius, inspiration, and hands: pre-Romantic image of artists and fantasy figures by Fragonard / Tomoko Yoshida -- Originality spontaneity, and sincerity: the rise of the sketch in France at the turn of the nineteenth century / Nicole R. Myers -- \"Full of vigour, & nature, fresh, original, warm from observation of nature, hasty, unpolished, untouched\": the oil sketches of John Constable / Mark Evans -- How Paul Cézanne rejected the fini concept / Takanori Nagaï." ] ;
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