Women artists in Early Modern Italy
type: CreativeWork
about: https://id.rijksmuseum.nl/320126584
about: https://id.rijksmuseum.nl/320127678
about: https://id.rijksmuseum.nl/320129832
about: https://id.rijksmuseum.nl/330135267
abstract: In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary information about the diverse strategies that women found for carrying out their artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Felipe II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes--so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to public scrutiny, to a much greater extent than what their male counterparts experienced. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting their self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, but turned their backs to the contemporary women artists in their midst.
contributor: https://id.rijksmuseum.nl/3106186
language: eng
temporal coverage: 1500-1825
work example: https://id.rijksmuseum.nl/301254321

PropertyValue
property ID: NL-AmRIJ
value: 254321