From renaissance trophy to abolitionist emblem
type: CreativeWork
about: DefinedTerm
  alternate name: Art, European--Congresses
about: DefinedTerm
  alternate name: Esclavage dans l'art--Congres
about: DefinedTerm
  alternate name: Slavery in art--Congresses
about: https://id.rijksmuseum.nl/320126558
about: https://id.rijksmuseum.nl/320126679
about: https://id.rijksmuseum.nl/320127726
about: https://id.rijksmuseum.nl/320130681
about: https://id.rijksmuseum.nl/320132056
contributor: https://id.rijksmuseum.nl/31071802
contributor: https://id.rijksmuseum.nl/31074614
language: eng
language: fre
is part of: Warburg Institute colloquia,
issn: 1352-9986
name: The slave in European art
position: 20
subject of: Statement
  additional type: lang
  text: Text in English with some text in French.
subject of: Statement
  additional type: http://vocab.getty.edu/aat/300195187
  text: 1. Introduction: reality and metaphor: -- Caryatids, page boys, and African fetters: themes of slavery in European art / Elizabeth McGrath -- Allegory and ambiguity in Michelangelo's 'Slaves' / Charles Robertson -- L'esclavage comme métaphore religieuse dans l'iconographie de l'ordre des Trinitaires / Jean-Luc Liez -- 2. Galley slaves and Moorish captives: -- The iconography of Mediterranean slavery in the seventeenth century / Jean Michel Massing -- Messina 1535 to Lepanto 1571: Vasari, Borghini and the imagery of the Moors, Barbarians and Turks / Rick Scorza -- From Borgo Pinti to Doccia: the afterlife of Pietro Tacca's Moors for Livorno / Anthea Brook -- 3. Europe, the Americas and the slave trade: -- The urban slave in Spain and New Spain / Carmen Fracchia -- Black slavery and the 'mulatto escape hatch' in the Brazilian ensembles of Frans Post and Albert Eckhout / Ernst van den Boogart -- Becoming human: the iconography of black slavery in French, British and Dutch book illustrations c. 1600-c. 1800 / Elmer Kolfin -- 4. Abolitionism and its critics: -- George Morland's 'Slave Trade' and 'African Hospitality': slavery, sentiment and the limits of the abolitionist image / Meredith Gamer -- 'They are happy people': some newly identified pro-slavery caricatures from the age of abolition / David Bindman -- Abolitionists, African diplomats and 'the Black Joke' in George Cruikshank's The New Union Club / Temi Odumosu.
temporal coverage: 1200-1899
work example: https://id.rijksmuseum.nl/301209586

PropertyValue
property ID: NL-AmRIJ
value: 209586