@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/300209586> a ns1:CreativeWork ;
    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Art, European--Congresses" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Esclavage dans l'art--Congres" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Slavery in art--Congresses" ],
        <https://id.rijksmuseum.nl/320126558>,
        <https://id.rijksmuseum.nl/320126679>,
        <https://id.rijksmuseum.nl/320127726>,
        <https://id.rijksmuseum.nl/320130681>,
        <https://id.rijksmuseum.nl/320132056> ;
    ns1:contributor <https://id.rijksmuseum.nl/31071802>,
        <https://id.rijksmuseum.nl/31074614> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "209586" ] ;
    ns1:inLanguage "eng",
        "fre" ;
    ns1:isPartOf [ a ns1:CreativeWorkSeries ;
            ns1:name "Warburg Institute colloquia," ] ;
    ns1:issn "1352-9986" ;
    ns1:name "From renaissance trophy to abolitionist emblem",
        "The slave in European art" ;
    ns1:position "20" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://id.loc.gov/vocabulary/mnotetype/lang> ;
            ns1:text "Text in English with some text in French." ],
        [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "1. Introduction: reality and metaphor: -- Caryatids, page boys, and African fetters: themes of slavery in European art / Elizabeth McGrath -- Allegory and ambiguity in Michelangelo's 'Slaves' / Charles Robertson -- L'esclavage comme métaphore religieuse dans l'iconographie de l'ordre des Trinitaires / Jean-Luc Liez -- 2. Galley slaves and Moorish captives: -- The iconography of Mediterranean slavery in the seventeenth century / Jean Michel Massing -- Messina 1535 to Lepanto 1571: Vasari, Borghini and the imagery of the Moors, Barbarians and Turks / Rick Scorza -- From Borgo Pinti to Doccia: the afterlife of Pietro Tacca's Moors for Livorno / Anthea Brook -- 3. Europe, the Americas and the slave trade: -- The urban slave in Spain and New Spain / Carmen Fracchia -- Black slavery and the 'mulatto escape hatch' in the Brazilian ensembles of Frans Post and Albert Eckhout / Ernst van den Boogart -- Becoming human: the iconography of black slavery in French, British and Dutch book illustrations c. 1600-c. 1800 / Elmer Kolfin -- 4. Abolitionism and its critics: -- George Morland's 'Slave Trade' and 'African Hospitality': slavery, sentiment and the limits of the abolitionist image / Meredith Gamer -- 'They are happy people': some newly identified pro-slavery caricatures from the age of abolition / David Bindman -- Abolitionists, African diplomats and 'the Black Joke' in George Cruikshank's The New Union Club / Temi Odumosu." ] ;
    ns1:temporalCoverage "1200-1899" ;
    ns1:workExample <https://id.rijksmuseum.nl/301209586> .