@prefix ns1: <http://schema.org/> .

<https://id.rijksmuseum.nl/300198779> a ns1:CreativeWork ;
    ns1:about [ a ns1:DefinedTerm ;
            ns1:alternateName "Christian art and symbolism--Italy" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art--Italy" ],
        [ a ns1:DefinedTerm ;
            ns1:alternateName "Art, Renaissance--Italy" ],
        <https://id.rijksmuseum.nl/320126537>,
        <https://id.rijksmuseum.nl/320127611>,
        <https://id.rijksmuseum.nl/330135267> ;
    ns1:creator <https://id.rijksmuseum.nl/31082414> ;
    ns1:identifier [ a ns1:PropertyValue ;
            ns1:propertyID "NL-AmRIJ" ;
            ns1:value "198779" ] ;
    ns1:inLanguage "eng" ;
    ns1:name "The controversy of Renaissance art" ;
    ns1:subjectOf [ a ns1:Statement ;
            ns1:additionalType <http://vocab.getty.edu/aat/300195187> ;
            ns1:text "A nontriumphant Renaissance -- The Reformation that never happened in Italy -- Pre- and post-Trent -- Range of the study -- Excavations in Christian art -- Effects of estrangement -- \"These are your idols, which you have put in my temple\" -- Theater and its double -- Art historians and their precursors -- The time of the other -- Attending effigies -- Interior cult and exterior cult -- Whores and idols -- Erasure, defacement, unmasking -- Reform as art restoration -- Defamiliarized icons -- The \"puppet painter\" gets a hearing -- Erasmus unmasks the saints -- Excavations of the image -- A picture of indeterminate subject and uncertain finish -- Threshold painting -- Figures in a loose and unready state -- Images from the underside -- Drawing brought to the surface -- Reconfigurations -- Christian art that is no longer -- Related experiments -- Re-mediations of the altarpiece -- The painter's new profession -- Raphael extracts the icon -- Vision as re-mediation -- Structures of archaism -- Christocentrism -- Transmutation chamber -- Christ as idol -- Animated statues -- Sculpture and the pictorial imaginary -- The idol in Saint Augustine's study -- Statue + column = idolatry -- In the round and from behind -- Showdown in the arena of painting -- Ficino's ambivalent defense of image magic -- The crucifix as anti-statue -- The antique statue of Christ -- \"Christ, who deserved a statue, received instead a cross\" -- A statue of Christ from the Holy Land -- Replication and retroactivation -- An antique Christ at the Minerva -- Rhetorical interferences -- Form as symbol -- Avatars of the golden calf in the works of Andrea Riccio -- Gregorio Cortese commissions art at Santa Giustina, 1513 -- Moses and polytheism -- A Moses-idol -- Repetition compulsion -- Christ as idol -- The work of conversion -- Uncompromising logic -- Fire takes the form of bronze -- Recursions -- Religion on earth -- Soft iconoclasm -- Architecture as image -- Forms of iconophobia in Italy -- A semiotic contest -- Replacement and reversion -- Early interventions at Florence and Siena -- Figuration and fulfillment, and vice versa -- \"All the other things are shadows\" -- The tabernacle in the matrix -- \"So long as it is not about saints\" -- Raimondi's I modi in Giberti's Rome -- Pornography as iconoclasm -- Nonprocreative art -- A new model of church art at Verona cathedral -- The virgin becomes architecture -- Borromeo interprets Giberti -- The most abstract altarpiece of the Italian Renaissance -- The Vicenza altar and reform circles in northern Italy -- Adventures in aniconism -- The virtues of stones -- The world is an animal -- Displacement." ] ;
    ns1:temporalCoverage "1450-1599" ;
    ns1:workExample <https://id.rijksmuseum.nl/301198779> .