@prefix prov: <http://www.w3.org/ns/prov#> .
@prefix skos: <http://www.w3.org/2004/02/skos/core#> .
@prefix xsd: <http://www.w3.org/2001/XMLSchema#> .

<https://data.rkd.nl/thesaurus/28598> a skos:Concept ;
    skos:broader <https://data.rkd.nl/thesaurus/98614> ;
    skos:inScheme <https://data.rkd.nl/thesaurus/scheme/SCHOOL/STROMING> ;
    skos:notation "28598" ;
    skos:prefLabel "Scuola di Posilippo"@en,
        "Scuola di Posilippo"@nl ;
    skos:scopeNote """Italian school of landscape painters working from c. 1820 to 1850 and named after Posillipo, a
       hilltop village near Naples. The principal artists were Giacinto Gigante, Achille Vianelli and
       ANTONIO SMINCK VAN PITLOO, its founder. The members reacted against the
       academicism prevalent in the work of such late 18th-century Neapolitan landscape painters
       as Philipp Hackert and concentrated on plein-air painting. Pitloo came to Naples in 1814 to
       teach at the Accademia Tecnica del Paesaggio. Despite his academic background, in 1820 he
       established an informal studio at Posillipo, where young artists, many of whom were earning
       their living as vedutisti (see VEDUTA), could learn from his more spontaneous approach,
       where he used a lighter palette and painted en plein air, as in Three Temples at Paestum (c.
       1820; Naples, Capodimonte). This manner of painting represented a complete break with such
       grandiose approaches to the landscape as Hackert's Hunting Scene (1783; Naples,
       Capodimonte). An important external influence on Pitloo was the intermittent presence in
       Naples of Turner between 1819 and 1829 (www.artnet.com)

Posilippo - Dorp ten westen van Napels gelegen, niet ver van de zee, is in de kunstegeschiedenis bekend geworden door de landschapschilderschool die daar gedurende de eerste helft van de 19de eeuw gebloeid heeft"""@nl ;
    prov:generatedAtTime "2024-07-04T09:24:09+00:00"^^xsd:dateTime .